opera realizzata con Enrico Ticcone e Ginevra Pansetti
In performance, voiceovers, bouncing with one voice, invade the public scene, on twitter. A chorus was commenting and intervenes in contemporary tragedies as it did in the Greek tragedies. The power, cold, technical and technocratic set out with equally impersonal documents, facts that determined them. The power and the choir overlapped to tell the tragedy. This is the story of Ilva, the biggest steelmaker in Europe, becoming public. The notion of Greek tragedy is essential in interpreting the current situation, considering politics both in terms of the political account of power and in terms of polis, the community which is the protagonist.