Born in Milan in 1986, he lives and works in Rome. He graduated in 2011 from the Accademia di Belle Arti, with a dissertation on how financialization has reshaped the conditions of contemporary art. His practice moves fluidly between the poetic and the political, the social and the historical—always insisting on the present tense while keeping faith with roots, inheritances, and the long shadow of the past. At its core lie sustained investigations into the relationship between body and power, sexual difference, gender politics, and postcolonial thought.
A further, abiding axis of his research is the fraught entanglement between artistic subjectivity and European history. Classical culture—Greek and Latin repertoires—often surfaces in his work not as quotation, but as an optical device through which the contemporary can be read anew. His stance is grounded in the conviction that a European artist must learn to handle, rather than evade, the immense gravitational pull of the histories behind him. Philosophy, philology, and religion become working materials: instruments for thinking through what unfolds around us, articulated with a measured rigor and sharpened by the pressures—and possibilities—of new technologies.
His methods are deliberately protean. Installation, performance, sound, and video form a recurring toolkit; at times painting re-enters the frame, or the work assumes the physical and symbolic charge of altarpieces and fragments of marble. Medium is never predetermined: it shifts according to the questions at stake. The use of chemical substances, alongside the recuperation of ancient techniques, is part of an evolutionary approach to history—one that treats the past as a living field of operations rather than a stable archive.
He has presented numerous solo exhibitions, including Fiere at the Museo Civico di Bari; A Crow Upside Down (Rome, 2023); Selezioni at MAXXI Museum (Rome, 2021); Of Heroin and Incense at Traffic Gallery (Bergamo, 2020); If You Look at Them Closely and Listen at Spazio44 (2018); Loro at Casavuota (RM, 2017); A Joyful Sense at Work for the Salone del Mobile (Milan, 2016); Invisible Hand at MauMau Gallery (Istanbul, 2015), marking the conclusion of an artist residency; His Presence at Sponge ArteContemporanea (Pergola, 2014); and LifeLong Learning at CIAC Museum (Genazzano, 2012).
Selected group exhibitions include Matera Alberga – Arte Accogliente, curated by F. Cascino (2019); Connexion Festival at Museo Macro Testaccio (Rome, 2019); Kizart at MAXXI (Rome), curated by R. Frascarelli / Nomas Foundation (2018); Memoria Collettiva at CasaSpazio (Palermo), a collateral event of Manifesta 12 (2018); Gymnastics of Vision at the Bienal del Fin del Mundo (Mar del Plata, Argentina, 2014); BIO50 }Hotel at the 24th Biennial of Design (Ljubljana, Slovenia, 2014) and the festival Seminaria: Sogni in Terra (Maranola, 2014); as well as Azione! Seconda at The Others Art Fair (Turin, 2013) and Così vanno le cose at ArtVerona (Verona, 2013). In 2012 he participated in INTELLèGO at Museo Bilotti (Rome), Open#4 at SaleDock (Venice), and Premio Roma Centro Storico (Rome).