Video credit: Luca Bottello Praying in Gubbio is a kind of essentiality/deadliness of the show. It is a thin self-emptying that roots in Buddhism where it demonstrates the vanity of everything, the importance of zero, emptiness and silence along with a new sense of love coming
"Toxic Assets" is a work of art composed of an installation and a performance made in Verona in a show organized by Sponge Arte Contemporanea Art in Verona on November 11, 2013. The installation consisted of 10 prints of 100x70 cm in dimension. They were printed
The work consists of two stands next to each other selling falafel in different packaging: one Israeli and one Palestinian. Each stand has an extremely nationalistic branding and makes concessions and offers to enter into competition with one another. The nationalist implications inherent in the concept
opera realizzata con Enrico Ticcone e Ginevra Pansetti In performance, voiceovers, bouncing with one voice, invade the public scene, on twitter. A chorus was commenting and intervenes in contemporary tragedies as it did in the Greek tragedies. The power, cold, technical and technocratic set out with
Cassandra is an announcement, the foreshadowing of a defeat, of an advancing slavery. Images and unintelligible text are printed on the 12 napkins. They turn into instructions to eat macaroni by using chopsticks. Instructions and norms in the domestic space par excellence, i.e. home and the
The work is an installation placed in Michelangelo Buonarroti's cloister in the Baths of Diocletian in Rome which is nowadays overstuffed with ancient roman marbles of minor importance. Three prints of 1x6m size, report a Latin text of 45 BC called “lorem ipsum”, used since
In Greek mythology Sisyphus was a king of Ephyra (now known as Corinth) punished for chronic deceitfulness by being compelled to roll an immense boulder up a hill, only to watch it roll back down, and to repeat this action forever. His punishment is "regenerated"
The work is composed of two sound pieces split in two audio channels each. In the right channel the public listens to a lecture by Michael Foucault in the first piece, and to a poem by Pier Paolo Pasolini in the second. In the left channel
Dream of Ahmadinejad is an installation based on the modular repetition of an arabesque, printed on wallpaper. The motif is composed of a series of hexagons which, at a closer inspection contain one of the eight triangles the Nazi used to identify the inmates in
Religere is an icon, like an almost Byzantine photograph in which thought is the true object of representation. The photo is a portrait of the artist from behind, naked, with a tail tied at three points. The tail represents the animal part that we have