It is a multimedia installation, composed of three cupolas with video projections of 360° through a mapping. The three cupolas tell the different aspects of the work environment of the future: concentration, sharing and creativity. This artwork has been realized for the Salone del Mobile
Teresa is a work in the middle between the installation and performance. The work is inspired by the ecstasy of St. Theresa , through which she accesses to the holy sacred , that you can not see . The sacred is the ontological "other".
Video credit: Luca Bottello Praying in Gubbio is a kind of essentiality/deadliness of the show. It is a thin self-emptying that roots in Buddhism where it demonstrates the vanity of everything, the importance of zero, emptiness and silence along with a new sense of love coming
"Toxic Assets" is a work of art composed of an installation and a performance made in Verona in a show organized by Sponge Arte Contemporanea Art in Verona on November 11, 2013. The installation consisted of 10 prints of 100x70 cm in dimension. They were printed
Cassandra is an announcement, the foreshadowing of a defeat, of an advancing slavery. Images and unintelligible text are printed on the 12 napkins. They turn into instructions to eat macaroni by using chopsticks. Instructions and norms in the domestic space par excellence, i.e. home and the
The work is an installation placed in Michelangelo Buonarroti's cloister in the Baths of Diocletian in Rome which is nowadays overstuffed with ancient roman marbles of minor importance. Three prints of 1x6m size, report a Latin text of 45 BC called “lorem ipsum”, used since
The work is composed of two sound pieces split in two audio channels each. In the right channel the public listens to a lecture by Michael Foucault in the first piece, and to a poem by Pier Paolo Pasolini in the second. In the left channel
Dream of Ahmadinejad is an installation based on the modular repetition of an arabesque, printed on wallpaper. The motif is composed of a series of hexagons which, at a closer inspection contain one of the eight triangles the Nazi used to identify the inmates in
Religere is an icon, like an almost Byzantine photograph in which thought is the true object of representation. The photo is a portrait of the artist from behind, naked, with a tail tied at three points. The tail represents the animal part that we have
Lifelong learning is a work produced in two versions: one in metal and the another one in neon Installazione presso il Centro Internazionale Arte Contemporanea di Genazzano The parallel with Auschwitz is direct and implies a visual shock: the slogan "Arbeit macht frei" (work makes you free)